{"id":1571,"date":"2024-12-18T10:20:24","date_gmt":"2024-12-18T09:20:24","guid":{"rendered":"https:\/\/inbetweenartfilm.com\/en\/?page_id=1571"},"modified":"2025-12-11T08:24:36","modified_gmt":"2025-12-11T07:24:36","slug":"home-122024-bis","status":"publish","type":"page","link":"https:\/\/inbetweenartfilm.com\/en\/","title":{"rendered":"Home 122024 bis"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;0&#8243;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; full_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; el_class=&#8221;mobile-title&#8221; css=&#8221;.vc_custom_1607969950950{margin-top: 30px !important;margin-bottom: 30px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h2 style=\"font-weight: lighter;\">Looking at our times through the prism of the moving image.<\/h2>\n<p>&nbsp;<\/p>\n<h2 style=\"font-weight: lighter;\">At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.<\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; gap=&#8221;20&#8243; content_placement=&#8221;middle&#8221; el_class=&#8221;mobile-title&#8221; css=&#8221;.vc_custom_1607969976172{margin-top: 30px !important;margin-bottom: 30px !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;NEWS&#8221; font_container=&#8221;tag:h2|font_size:100|text_align:right|color:%23e8e8e8&#8243; use_theme_fonts=&#8221;yes&#8221; css=&#8221;.vc_custom_1607967663552{margin-top: 30px !important;margin-bottom: 30px !important;}&#8221;][\/vc_column][\/vc_row][vc_section][vc_row][vc_column][vc_column_text]\n<div id=\"sb_instagram\"  class=\"sbi sbi_mob_col_1 sbi_tab_col_3 sbi_col_4 sbi_width_resp sbi_palette_dark sbi-theme sbi-default_theme 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href=\"https:\/\/scontent-fra3-1.cdninstagram.com\/v\/t51.82787-15\/846279775_18496332586100411_6899466651740940288_n.jpg?stp=dst-jpg_e35_tt6&#038;_nc_cat=101&#038;ccb=7-5&#038;_nc_sid=18de74&#038;efg=eyJlZmdfdGFnIjoiRkVFRC5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&#038;_nc_ohc=RjLbTEsamGYQ7kNvwFvuqTU&#038;_nc_oc=AdpcxGTsyGUn6OAQRdHxgykrMhiXyM1iJcvAbKukds3APPwcUXEdt2P0jEyFxdJbyGo&#038;_nc_zt=23&#038;_nc_ht=scontent-fra3-1.cdninstagram.com&#038;edm=ANo9K5cEAAAA&#038;_nc_gid=HBjnywFOl09D4m49h4p_Zw&#038;_nc_tpa=Q5bMBQL5asUCe6z5NJMfB2SIYmfnHgT-hQDU72hMMhtGX-cwaDvVvYmZnTJlaB5yOjRRpphL-_s57qIHlQ&#038;oh=00_AQO2SNWXnUXM3ZJNIpArKdE4lIxP43IG3o_2DUkyd_yysQ&#038;oe=6ADB037C\"\n\t\t\t   data-lightbox-sbi=\"\"\n\t\t\t   data-title=\"Introducing theorist Doreen Mende, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026&lt;br&gt;\n&lt;br&gt;\nDoreen Mende (@ree.mende) will join the symposium with a lecture titled \u201cMeasuring Distance. Scaling Intensity. Metabolic Realism\u201d&lt;br&gt;\n&lt;br&gt;\nDoreen Mende is co-founder of the Harun Farocki Institut in Berlin. Her curatorial work engages the geopolitics of exhibiting, archival metabolism, and modernities of internationalism through visual cultures. Until 2025, she was Professor at HEAD Gen\u00e8ve, with continuing research affiliations in Switzerland, alongside recent engagements in Ghana, Sweden, and Singapore. During her tenure as Director of Research at the Staatliche Kunstsammlungen Dresden, with a focus on the provenance of museum objects as witnesses, she initiated the multi-year consortium min(d)ing: the relational capital, launching in November 2026. Recent exhibitions are \u201cCandida H\u00f6fer: Contexts\u201d (2024) at the Kupferstich- Kabinett Dresden, a.o. and \u201cThe Missed Seminar\u201d (2022\/23) with Steve McQueen at the Albertinum and Haus der Kulturen der Welt in Berlin. Publications include the series \u201cEntangled Internationalisms\u201d (with vinit agarwal, Kwasi Ohene-Ayeh, a.o., 2024), \u201cStannaki Forum\u201d (2024), and \u201cNavigation Beyond Vision\u201d (with Tom Holert, 2022). Mende holds a PhD from Goldsmiths, University of London.&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nPhoto by Armin Linke\"\n\t\t\t   data-video=\"\"\n\t\t\t   data-carousel=\"\"\n\t\t\t   data-id=\"sbi_18096095747405182\" data-user=\"fondazioneinbetweenartfilm\"\n\t\t\t   data-url=\"https:\/\/www.instagram.com\/p\/DeZNCMDKR5p\/\" 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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing theorist Doreen Mende, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nDoreen Mende (@ree.mende) will join the symposium with a lecture titled \u201cMeasuring Distance. Scaling Intensity. Metabolic Realism\u201d\n\nDoreen Mende is co-founder of the Harun Farocki Institut in Berlin. Her curatorial work engages the geopolitics of exhibiting, archival metabolism, and modernities of internationalism through visual cultures. Until 2025, she was Professor at HEAD Gen\u00e8ve, with continuing research affiliations in Switzerland, alongside recent engagements in Ghana, Sweden, and Singapore. During her tenure as Director of Research at the Staatliche Kunstsammlungen Dresden, with a focus on the provenance of museum objects as witnesses, she initiated the multi-year consortium min(d)ing: the relational capital, launching in November 2026. Recent exhibitions are \u201cCandida H\u00f6fer: Contexts\u201d (2024) at the Kupferstich- Kabinett Dresden, a.o. and \u201cThe Missed Seminar\u201d (2022\/23) with Steve McQueen at the Albertinum and Haus der Kulturen der Welt in Berlin. Publications include the series \u201cEntangled Internationalisms\u201d (with vinit agarwal, Kwasi Ohene-Ayeh, a.o., 2024), \u201cStannaki Forum\u201d (2024), and \u201cNavigation Beyond Vision\u201d (with Tom Holert, 2022). Mende holds a PhD from Goldsmiths, University of London.\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nPhoto by Armin Linke\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing theorist Doreen Mende, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Doreen Mende (@ree.mende) will join the symposium with a lecture titled \u201cMeasuring Distance. Scaling Intensity. Metabolic Realism\u201d<br><br>Doreen Mende is co-founder of the Harun Farocki Institut in Berlin. Her curatorial work engages the geopolitics of exhibiting, archival metabolism, and modernities of internationalism through visual cultures. Until 2025, she was Professor at HEAD Gen\u00e8ve, with continuing research affiliations in Switzerland, alongside recent engagements in Ghana, Sweden, and Singapore. During her tenure as Director of Research at the Staatliche Kunstsammlungen Dresden, with a focus on the provenance of museum objects as witnesses, she initiated the multi-year consortium min(d)ing: the relational capital, launching in November 2026. Recent exhibitions are \u201cCandida H\u00f6fer: Contexts\u201d (2024) at the Kupferstich- Kabinett Dresden, a.o. and \u201cThe Missed Seminar\u201d (2022\/23) with Steve McQueen at the Albertinum and Haus der Kulturen der Welt in Berlin. Publications include the series \u201cEntangled Internationalisms\u201d (with vinit agarwal, Kwasi Ohene-Ayeh, a.o., 2024), \u201cStannaki Forum\u201d (2024), and \u201cNavigation Beyond Vision\u201d (with Tom Holert, 2022). Mende holds a PhD from Goldsmiths, University of London.<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Photo by Armin Linke<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_18032565863856355\" data-date=\"1792245604\"\n\t data-numcomments=\"1\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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He previously worked as an Adjunct Curator at Tate Modern, a contributing editor to frieze magazine and an artistic advisor to the 59th Venice Biennale. He has staged exhibitions in institutions in the UK and across Asia, including Tate Modern, London; Para Site, Hong Kong, UCCA Centre for Contemporary Art, Beijing; and chi K11 Art Museum, Shanghai, among others. He recently curated\u00a0\u201cTracey Emin: A Second Life\u201d\u00a0(2026) and Turbine Hall commission,\u00a0\u201cMire Lee: Open Wound\u201d\u00a0(2024), both at Tate Modern. His writing on contemporary art and culture has appeared in international periodicals and monographs. Most recently, he wrote about Ching Ho Cheng\u2019s spiritual pursuits for a catalogue co-published by the Addison Gallery of American Art and\u00a0Visual AIDS, accompanying the late artist\u2019s forthcoming exhibition at the Addison&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nPhoto by Jo Metson Scott&lt;br&gt;\n&lt;br&gt;\nIntroducing artist Wang Tuo, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026&lt;br&gt;\n&lt;br&gt;\nWang Tuo (@buddhathugtuo) will join curator Alvin Li (@alvin.jiahuan.li) in a conversation discussing the artist\u2019s video installation \u201cThe Experimental Paradigm of Ownership and Autonomy\u201d (2026) at CANICU\"\n\t\t\t   data-video=\"\"\n\t\t\t   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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing curator Alvin Li, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nAlvin Li (@alvin.jiahuan.li) will join artist Wang Tuo (@buddhathugtuo) in a conversation discussing the artist\u2019s video installation \u201cThe Experimental Paradigm of Ownership and Autonomy\u201d (2026) at CANICULA through the lens of performance\n\nAlvin Li is a curator and writer based in London, where he is\u00a0Curator, International Art, supported by Asymmetry, at Tate Modern. He previously worked as an Adjunct Curator at Tate Modern, a contributing editor to frieze magazine and an artistic advisor to the 59th Venice Biennale. He has staged exhibitions in institutions in the UK and across Asia, including Tate Modern, London; Para Site, Hong Kong, UCCA Centre for Contemporary Art, Beijing; and chi K11 Art Museum, Shanghai, among others. He recently curated\u00a0\u201cTracey Emin: A Second Life\u201d\u00a0(2026) and Turbine Hall commission,\u00a0\u201cMire Lee: Open Wound\u201d\u00a0(2024), both at Tate Modern. His writing on contemporary art and culture has appeared in international periodicals and monographs. Most recently, he wrote about Ching Ho Cheng\u2019s spiritual pursuits for a catalogue co-published by the Addison Gallery of American Art and\u00a0Visual AIDS, accompanying the late artist\u2019s forthcoming exhibition at the Addison\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nPhoto by Jo Metson Scott\n\nIntroducing artist Wang Tuo, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nWang Tuo (@buddhathugtuo) will join curator Alvin Li (@alvin.jiahuan.li) in a conversation discussing the artist\u2019s video installation \u201cThe Experimental Paradigm of Ownership and Autonomy\u201d (2026) at CANICU\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing curator Alvin Li, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Alvin Li (@alvin.jiahuan.li) will join artist Wang Tuo (@buddhathugtuo) in a conversation discussing the artist\u2019s video installation \u201cThe Experimental Paradigm of Ownership and Autonomy\u201d (2026) at CANICULA through the lens of performance<br><br>Alvin Li is a curator and writer based in London, where he is\u00a0Curator, International Art, supported by Asymmetry, at Tate Modern. He previously worked as an Adjunct Curator at Tate Modern, a contributing editor to frieze magazine and an artistic advisor to the 59th Venice Biennale. He has staged exhibitions in institutions in the UK and across Asia, including Tate Modern, London; Para Site, Hong Kong, UCCA Centre for Contemporary Art, Beijing; and chi K11 Art Museum, Shanghai, among others. He recently curated\u00a0\u201cTracey Emin: A Second Life\u201d\u00a0(2026) and Turbine Hall commission,\u00a0\u201cMire Lee: Open Wound\u201d\u00a0(2024), both at Tate Modern. His writing on contemporary art and culture has appeared in international periodicals and monographs. Most recently, he wrote about Ching Ho Cheng\u2019s spiritual pursuits for a catalogue co-published by the Addison Gallery of American Art and\u00a0Visual AIDS, accompanying the late artist\u2019s forthcoming exhibition at the Addison<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Photo by Jo Metson Scott<br><br>Introducing artist Wang Tuo, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Wang Tuo (@buddhathugtuo) will join curator Alvin Li (@alvin.jiahuan.li) in a conversation discussing the artist\u2019s video installation \u201cThe Experimental Paradigm of Ownership and Autonomy\u201d (2026) at CANICU<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_image sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_17970827928173776\" data-date=\"1792159252\"\n\t data-numcomments=\"5\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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Her recent research considers imbrications of literary and moving-image technologies amid political desire and the social. She is the author of \u201cLike a Woman: Essays, Readings, Poems\u201d (Sternberg Press, 2017) and \u201cFilm as a Form of Writing: Quinn Latimer Talks to Akram Zaatari\u201d (Wiels, 2013), among other books. She recently curated \u201cSIREN (some poetics)\u201d at Amant, New York, and \u201cPerpetual Language: Patricia L. Boyd and Na Mira, made under the signs and spirits of Roland Barthes and Teresa Hak Kyung Cha,\u201d at Croy Nielsen, Vienna. She was editor-in-chief of publications for documenta 14 in Athens and Kassel, and is now coeditor, with Claudia Perren, of the book series \u201cBasel Dialogues\u201d from the Basel Academy of Art and Design. Its second volume, \u201cDesire for Transmission,\u201d was just published. A PhD candidate at HGK Basel and Kunstuniversit\u00e4t Linz, she is writing a poetics of exposure on technologies of image production and surveillance, autobiography and political violence&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nPhoto by Ion Grevenitis\"\n\t\t\t   data-video=\"\"\n\t\t\t   data-carousel=\"\"\n\t\t\t   data-id=\"sbi_17970827928173776\" 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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing writer Quinn Latimer, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nQuinn Latimer (@ql_ql_ql_ql) will join the symposium with a lecture titled \u201cDreams Against Images\u201d\n\nQuinn Latimer is a writer, editor, curator, and Head of the MA at the Institute Art Gender Nature HGK Basel FHNW. Her recent research considers imbrications of literary and moving-image technologies amid political desire and the social. She is the author of \u201cLike a Woman: Essays, Readings, Poems\u201d (Sternberg Press, 2017) and \u201cFilm as a Form of Writing: Quinn Latimer Talks to Akram Zaatari\u201d (Wiels, 2013), among other books. She recently curated \u201cSIREN (some poetics)\u201d at Amant, New York, and \u201cPerpetual Language: Patricia L. Boyd and Na Mira, made under the signs and spirits of Roland Barthes and Teresa Hak Kyung Cha,\u201d at Croy Nielsen, Vienna. She was editor-in-chief of publications for documenta 14 in Athens and Kassel, and is now coeditor, with Claudia Perren, of the book series \u201cBasel Dialogues\u201d from the Basel Academy of Art and Design. Its second volume, \u201cDesire for Transmission,\u201d was just published. A PhD candidate at HGK Basel and Kunstuniversit\u00e4t Linz, she is writing a poetics of exposure on technologies of image production and surveillance, autobiography and political violence\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nPhoto by Ion Grevenitis\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing writer Quinn Latimer, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Quinn Latimer (@ql_ql_ql_ql) will join the symposium with a lecture titled \u201cDreams Against Images\u201d<br><br>Quinn Latimer is a writer, editor, curator, and Head of the MA at the Institute Art Gender Nature HGK Basel FHNW. Her recent research considers imbrications of literary and moving-image technologies amid political desire and the social. She is the author of \u201cLike a Woman: Essays, Readings, Poems\u201d (Sternberg Press, 2017) and \u201cFilm as a Form of Writing: Quinn Latimer Talks to Akram Zaatari\u201d (Wiels, 2013), among other books. She recently curated \u201cSIREN (some poetics)\u201d at Amant, New York, and \u201cPerpetual Language: Patricia L. Boyd and Na Mira, made under the signs and spirits of Roland Barthes and Teresa Hak Kyung Cha,\u201d at Croy Nielsen, Vienna. She was editor-in-chief of publications for documenta 14 in Athens and Kassel, and is now coeditor, with Claudia Perren, of the book series \u201cBasel Dialogues\u201d from the Basel Academy of Art and Design. Its second volume, \u201cDesire for Transmission,\u201d was just published. A PhD candidate at HGK Basel and Kunstuniversit\u00e4t Linz, she is writing a poetics of exposure on technologies of image production and surveillance, autobiography and political violence<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Photo by Ion Grevenitis<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_17922786831441549\" data-date=\"1792072925\"\n\t data-numcomments=\"16\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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She works in the fields of contemporary mythology, subject formation, ecological thought, and the entanglements of cultural, social, and environmental structures with colonial and domination histories. She is the co-founder of Commons Calling, an international NGO born in 2026, dedicated to cultural projects fostering solidarities and communities. From 2019 to 2025, she was the general director and artistic director of Lafayette Anticipations, where she presented numerous exhibitions with international artists such as Diego Marcon, Neil Beloufa, Meriem Bennani, Marguerite Humeau, Martine Syms, Issy Wood, and Lina Lapelyte, among others. From 2011 to 2019, she was curator at Palais de Tokyo, where she developed major projects including the cartes blanche of Tom\u00e1s Saraceno and Tino Sehgal. In 2020, she was chief curator of the Riga Biennial. Her work extends internationally through collaborations with institutions such as MoMA PS1, the Stedelijk Museum, Nottingham Contemporary. She holds degrees in History, Political Sciences and Art History from Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne and the Freie Universit\u00e4t Berlin&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nIntroducing artist Yuyan Wang, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 20\"\n\t\t\t   data-video=\"\"\n\t\t\t   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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing curator Rebecca Lamarche-Vadel, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nRebecca Lamarche-Vadel (@rebeccalamarchevadel) will join artist Yuyan Wang (@yuyanwang) in a conversation discussing the artist\u2019s video installation \u201cBoring Billion\u201d (2026) at CANICULA through the lens of composting\n\nRebecca Lamarche-Vadel is a curator, art historian, and author. She works in the fields of contemporary mythology, subject formation, ecological thought, and the entanglements of cultural, social, and environmental structures with colonial and domination histories. She is the co-founder of Commons Calling, an international NGO born in 2026, dedicated to cultural projects fostering solidarities and communities. From 2019 to 2025, she was the general director and artistic director of Lafayette Anticipations, where she presented numerous exhibitions with international artists such as Diego Marcon, Neil Beloufa, Meriem Bennani, Marguerite Humeau, Martine Syms, Issy Wood, and Lina Lapelyte, among others. From 2011 to 2019, she was curator at Palais de Tokyo, where she developed major projects including the cartes blanche of Tom\u00e1s Saraceno and Tino Sehgal. In 2020, she was chief curator of the Riga Biennial. Her work extends internationally through collaborations with institutions such as MoMA PS1, the Stedelijk Museum, Nottingham Contemporary. She holds degrees in History, Political Sciences and Art History from Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne and the Freie Universit\u00e4t Berlin\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nIntroducing artist Yuyan Wang, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 20\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing curator Rebecca Lamarche-Vadel, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Rebecca Lamarche-Vadel (@rebeccalamarchevadel) will join artist Yuyan Wang (@yuyanwang) in a conversation discussing the artist\u2019s video installation \u201cBoring Billion\u201d (2026) at CANICULA through the lens of composting<br><br>Rebecca Lamarche-Vadel is a curator, art historian, and author. She works in the fields of contemporary mythology, subject formation, ecological thought, and the entanglements of cultural, social, and environmental structures with colonial and domination histories. She is the co-founder of Commons Calling, an international NGO born in 2026, dedicated to cultural projects fostering solidarities and communities. From 2019 to 2025, she was the general director and artistic director of Lafayette Anticipations, where she presented numerous exhibitions with international artists such as Diego Marcon, Neil Beloufa, Meriem Bennani, Marguerite Humeau, Martine Syms, Issy Wood, and Lina Lapelyte, among others. From 2011 to 2019, she was curator at Palais de Tokyo, where she developed major projects including the cartes blanche of Tom\u00e1s Saraceno and Tino Sehgal. In 2020, she was chief curator of the Riga Biennial. Her work extends internationally through collaborations with institutions such as MoMA PS1, the Stedelijk Museum, Nottingham Contemporary. She holds degrees in History, Political Sciences and Art History from Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne and the Freie Universit\u00e4t Berlin<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Introducing artist Yuyan Wang, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 20<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_image sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_17986902461883754\" data-date=\"1791986405\"\n\t data-numcomments=\"1\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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His practice lies at the intersection of cinema, contemporary art and cultural institutions, with a particular interest in experimental film, documentary forms and audiovisual practices that explore critical thought. At Museo Reina Sof\u00eda, where he currently heads the Department of Film and New Media, he has developed programmes, film cycles, exhibitions, commissions and research projects centred on a critical understanding of the present and a reimagining of film history. He has served as a jury member and collaborator for festivals and institutions including FIDMarseille, DocLisboa, Centre Pompidou, Tate Modern, BFI London, CCCB Barcelona and Centro Guerrero, among others. He has worked with and curated artists and filmmakers including Chantal Akerman, Jean-Luc Godard, Hito Steyerl, Radu Jude, Pere Portabella, Barbara Hammer, Jean-Marie Straub and Dani\u00e8le Huillet, and Yervant Gianikian and Angela Ricci Lucchi, among many others&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nPhoto by Clara Valles\"\n\t\t\t   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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing curator Chema Gonz\u00e1lez, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nChema Gonz\u00e1lez (@chemagonzalez__) will join the symposium with a lecture titled \u201cThe Guernica Screen\u201d\n\nChema Gonz\u00e1lez is a curator and programmer. His practice lies at the intersection of cinema, contemporary art and cultural institutions, with a particular interest in experimental film, documentary forms and audiovisual practices that explore critical thought. At Museo Reina Sof\u00eda, where he currently heads the Department of Film and New Media, he has developed programmes, film cycles, exhibitions, commissions and research projects centred on a critical understanding of the present and a reimagining of film history. He has served as a jury member and collaborator for festivals and institutions including FIDMarseille, DocLisboa, Centre Pompidou, Tate Modern, BFI London, CCCB Barcelona and Centro Guerrero, among others. He has worked with and curated artists and filmmakers including Chantal Akerman, Jean-Luc Godard, Hito Steyerl, Radu Jude, Pere Portabella, Barbara Hammer, Jean-Marie Straub and Dani\u00e8le Huillet, and Yervant Gianikian and Angela Ricci Lucchi, among many others\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nPhoto by Clara Valles\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing curator Chema Gonz\u00e1lez, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Chema Gonz\u00e1lez (@chemagonzalez__) will join the symposium with a lecture titled \u201cThe Guernica Screen\u201d<br><br>Chema Gonz\u00e1lez is a curator and programmer. His practice lies at the intersection of cinema, contemporary art and cultural institutions, with a particular interest in experimental film, documentary forms and audiovisual practices that explore critical thought. At Museo Reina Sof\u00eda, where he currently heads the Department of Film and New Media, he has developed programmes, film cycles, exhibitions, commissions and research projects centred on a critical understanding of the present and a reimagining of film history. He has served as a jury member and collaborator for festivals and institutions including FIDMarseille, DocLisboa, Centre Pompidou, Tate Modern, BFI London, CCCB Barcelona and Centro Guerrero, among others. He has worked with and curated artists and filmmakers including Chantal Akerman, Jean-Luc Godard, Hito Steyerl, Radu Jude, Pere Portabella, Barbara Hammer, Jean-Marie Straub and Dani\u00e8le Huillet, and Yervant Gianikian and Angela Ricci Lucchi, among many others<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Photo by Clara Valles<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_image sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_18157645369508408\" data-date=\"1791900007\"\n\t data-numcomments=\"13\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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Visual Arts of the Ionian University, as well as an independent curator and writer. Her recent work examines the ambiguous role of technology in the climate crisis, taking into consideration planetary infrastructures, emerging aesthetics, and ecological practices. Her exhibitions and projects have been hosted by institutions such as Onassis Stegi, LABoral, Aksioma, EMST (National Museum of Contemporary Art, Athens), and Akademie Schloss Solitude. She previously was a curator for the transmediale festival (Berlin, 2015\u20132019) and the European Media Art Festival (EMAF, Osnabr\u00fcck, 2021\u20132023). Her writings have appeared in publications including Springerin, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac. She has been a fellow at the Weibel Institute for Digital Cultures at the University of Applied Arts Vienna, and at the Kone Foundation\u2019s Saari Residence&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nPhoto by Pinelopi Gerasimou\"\n\t\t\t   data-video=\"\"\n\t\t\t   data-carousel=\"\"\n\t\t\t   data-id=\"sbi_18157645369508408\" 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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing curator Daphne Dragona, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nDaphne Dragona (@daphne_dragona) will join the symposium with a lecture titled \u201cBlinded by It All: On Art, Agency, and Critical Distance\u201d\n\nDaphne Dragona is an Assistant Professor at the Department of Audio &amp; Visual Arts of the Ionian University, as well as an independent curator and writer. Her recent work examines the ambiguous role of technology in the climate crisis, taking into consideration planetary infrastructures, emerging aesthetics, and ecological practices. Her exhibitions and projects have been hosted by institutions such as Onassis Stegi, LABoral, Aksioma, EMST (National Museum of Contemporary Art, Athens), and Akademie Schloss Solitude. She previously was a curator for the transmediale festival (Berlin, 2015\u20132019) and the European Media Art Festival (EMAF, Osnabr\u00fcck, 2021\u20132023). Her writings have appeared in publications including Springerin, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac. She has been a fellow at the Weibel Institute for Digital Cultures at the University of Applied Arts Vienna, and at the Kone Foundation\u2019s Saari Residence\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nPhoto by Pinelopi Gerasimou\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing curator Daphne Dragona, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Daphne Dragona (@daphne_dragona) will join the symposium with a lecture titled \u201cBlinded by It All: On Art, Agency, and Critical Distance\u201d<br><br>Daphne Dragona is an Assistant Professor at the Department of Audio &amp; Visual Arts of the Ionian University, as well as an independent curator and writer. Her recent work examines the ambiguous role of technology in the climate crisis, taking into consideration planetary infrastructures, emerging aesthetics, and ecological practices. Her exhibitions and projects have been hosted by institutions such as Onassis Stegi, LABoral, Aksioma, EMST (National Museum of Contemporary Art, Athens), and Akademie Schloss Solitude. She previously was a curator for the transmediale festival (Berlin, 2015\u20132019) and the European Media Art Festival (EMAF, Osnabr\u00fcck, 2021\u20132023). Her writings have appeared in publications including Springerin, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac. She has been a fellow at the Weibel Institute for Digital Cultures at the University of Applied Arts Vienna, and at the Kone Foundation\u2019s Saari Residence<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Photo by Pinelopi Gerasimou<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_image sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_17928301785181210\" data-date=\"1791813606\"\n\t data-numcomments=\"23\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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She is the author of \u201cGovernare il conflitto. La criminalizzazione del movimento No Tav\u201d (Meltemi, Milan, 2019) and co-editor of the Italian critical criminology blog Studi sulla Questione Criminale, as well as a member of the journal\u2019s editorial board. Since 2015, she has been teaching in the Master\u2019s programme in Critical Criminology and Social Security at the Universities of Bologna and Padua. She also teaches the module \u201cLaw and Environment\u201d in the Ecosocialism Advanced Course at the University of Milano-Bicocca, as well as, together with Federica Buongiorno, \u201cTheories and Critical Gender Studies\u201d at the University of Florence&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nPhoto by Claudia Peppel\"\n\t\t\t   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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing scholar Xenia Manuela Chiaramonte, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nXenia Manuela Chiaramonte (@chloesflowersinthenight) will join the symposium with a lecture titled \u201cLegal Imagination in a Time of Disasters\u201d\n\nXenia Manuela Chiaramonte is an associate professor at the Department of Philosophy and Cultural Heritage at Ca\u2019 Foscari University of Venice, where she teaches Theory and Critique of Law and Law and Society. She is the author of \u201cGovernare il conflitto. La criminalizzazione del movimento No Tav\u201d (Meltemi, Milan, 2019) and co-editor of the Italian critical criminology blog Studi sulla Questione Criminale, as well as a member of the journal\u2019s editorial board. Since 2015, she has been teaching in the Master\u2019s programme in Critical Criminology and Social Security at the Universities of Bologna and Padua. She also teaches the module \u201cLaw and Environment\u201d in the Ecosocialism Advanced Course at the University of Milano-Bicocca, as well as, together with Federica Buongiorno, \u201cTheories and Critical Gender Studies\u201d at the University of Florence\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nPhoto by Claudia Peppel\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing scholar Xenia Manuela Chiaramonte, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Xenia Manuela Chiaramonte (@chloesflowersinthenight) will join the symposium with a lecture titled \u201cLegal Imagination in a Time of Disasters\u201d<br><br>Xenia Manuela Chiaramonte is an associate professor at the Department of Philosophy and Cultural Heritage at Ca\u2019 Foscari University of Venice, where she teaches Theory and Critique of Law and Law and Society. She is the author of \u201cGovernare il conflitto. La criminalizzazione del movimento No Tav\u201d (Meltemi, Milan, 2019) and co-editor of the Italian critical criminology blog Studi sulla Questione Criminale, as well as a member of the journal\u2019s editorial board. Since 2015, she has been teaching in the Master\u2019s programme in Critical Criminology and Social Security at the Universities of Bologna and Padua. She also teaches the module \u201cLaw and Environment\u201d in the Ecosocialism Advanced Course at the University of Milano-Bicocca, as well as, together with Federica Buongiorno, \u201cTheories and Critical Gender Studies\u201d at the University of Florence<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Photo by Claudia Peppel<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n<div class=\"sbi_item sbi_type_carousel sbi_new sbi_transition\" role=\"listitem\"\t id=\"sbi_18154618663468093\" data-date=\"1791728166\"\n\t data-numcomments=\"2\" data-template=\"ft_card_grid\">\n\t<div class=\"sbi_inner_wrap\" style=\"background-color: #000000; 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He is the author of a book on the restoration of artists\u2019 films, \u201cFuturs de l\u2019obsolescence\u201d (\u00c9ditions Mim\u00e9sis, 2018). In 2025, together with Catherine de Smet and Philippe Millot, he published \u201cRead Frame Type Film\u201d (MUBI Editions), a volume exploring the presence of text on screen&lt;br&gt;\n&lt;br&gt;\n26-27 October 2026&lt;br&gt;\n09:30 - 18:30&lt;br&gt;\nTeatrino di Palazzo Grassi, Venice&lt;br&gt;\n&lt;br&gt;\nFree entry, all welcome&lt;br&gt;\n&lt;br&gt;\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia&lt;br&gt;\n&lt;br&gt;\nCoordinators:&lt;br&gt;\n@chiara_nicolini__&lt;br&gt;\nGiovanni Giacomo Paolin&lt;br&gt;\n&lt;br&gt;\nEducational partners:&lt;br&gt;\n@abavenezia&lt;br&gt;\nDepartment of the Arts, @unibo&lt;br&gt;\n@dfbc.cafoscari&lt;br&gt;\n@curatorial.school&lt;br&gt;\n@iuav_venezia&lt;br&gt;\n&lt;br&gt;\nVisual identity by @lorenzomasonstudio&lt;br&gt;\n&lt;br&gt;\nIntroducing film-makers Massimo D\u2019Anolfi and Martina Parenti, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026&lt;br&gt;\n&lt;br&gt;\nMassimo D\u2019Anolfi and Martina Parenti will join Enrico Camporesi (@enrico_camporesi) in a conversation discussing the film-makers\u2019 video installation \u201c24 Landscapes + A Vision\u201d (2026) at CANICULA through the lens of the history of cinema&lt;br&gt;\n&lt;br&gt;\nMassimo D\u2019Anolfi and Martina Parenti make use of film archive material, selected from within their wide-ranging documentary practice. In \u201c24 Landscapes + A Vision\u201d (2026), these fragments are recomposed into a symphonic score on the dimension of human existence as a cycle of destruction and renewal. The three-channel installation is a non-linear, encyclopaedic reflection on the interweav\"\n\t\t\t   data-video=\"\"\n\t\t\t   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decoding=\"async\" src=\"https:\/\/inbetweenartfilm.com\/en\/wp-content\/plugins\/instagram-feed-pro\/img\/placeholder.png\" alt=\"Introducing curator Enrico Camporesi, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nEnrico Camporesi (@enrico_camporesi) will join Massimo D\u2019Anolfi and Martina Parenti in a conversation discussing the film-makers\u2019 video installation \u201c24 Landscapes + A Vision\u201d (2026) at CANICULA through the lens of the history of cinema\n\nEnrico Camporesi is Head of Research and Documentation at the Film Collection of the Mus\u00e9e national d\u2019art moderne \u2013 Centre Pompidou in Paris where, since 2018, he has curated and organized numerous screening programs and conferences. He is the author of a book on the restoration of artists\u2019 films, \u201cFuturs de l\u2019obsolescence\u201d (\u00c9ditions Mim\u00e9sis, 2018). In 2025, together with Catherine de Smet and Philippe Millot, he published \u201cRead Frame Type Film\u201d (MUBI Editions), a volume exploring the presence of text on screen\n\n26-27 October 2026\n09:30 - 18:30\nTeatrino di Palazzo Grassi, Venice\n\nFree entry, all welcome\n\nCurated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia\n\nCoordinators:\n@chiara_nicolini__\nGiovanni Giacomo Paolin\n\nEducational partners:\n@abavenezia\nDepartment of the Arts, @unibo\n@dfbc.cafoscari\n@curatorial.school\n@iuav_venezia\n\nVisual identity by @lorenzomasonstudio\n\nIntroducing film-makers Massimo D\u2019Anolfi and Martina Parenti, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026\n\nMassimo D\u2019Anolfi and Martina Parenti will join Enrico Camporesi (@enrico_camporesi) in a conversation discussing the film-makers\u2019 video installation \u201c24 Landscapes + A Vision\u201d (2026) at CANICULA through the lens of the history of cinema\n\nMassimo D\u2019Anolfi and Martina Parenti make use of film archive material, selected from within their wide-ranging documentary practice. In \u201c24 Landscapes + A Vision\u201d (2026), these fragments are recomposed into a symphonic score on the dimension of human existence as a cycle of destruction and renewal. The three-channel installation is a non-linear, encyclopaedic reflection on the interweav\">\n\t\t<\/a>\n\t<\/div>\n\n\n\t\t\n\t\t<div class=\"sbi_info_wrapper\">\n\t\t\t<div class=\"sbi_info \">\n\n\t\t\t\t\t\t\t\t\t<p class=\"sbi_caption_wrap\" >\n\t\t\t\t\t\t<span\n\t\t\t\t\t\t\tclass=\"sbi_caption\"  style=\"font-size: 12px;color: rgb(255,255,255);\" aria-hidden=\"true\">Introducing curator Enrico Camporesi, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Enrico Camporesi (@enrico_camporesi) will join Massimo D\u2019Anolfi and Martina Parenti in a conversation discussing the film-makers\u2019 video installation \u201c24 Landscapes + A Vision\u201d (2026) at CANICULA through the lens of the history of cinema<br><br>Enrico Camporesi is Head of Research and Documentation at the Film Collection of the Mus\u00e9e national d\u2019art moderne \u2013 Centre Pompidou in Paris where, since 2018, he has curated and organized numerous screening programs and conferences. He is the author of a book on the restoration of artists\u2019 films, \u201cFuturs de l\u2019obsolescence\u201d (\u00c9ditions Mim\u00e9sis, 2018). In 2025, together with Catherine de Smet and Philippe Millot, he published \u201cRead Frame Type Film\u201d (MUBI Editions), a volume exploring the presence of text on screen<br><br>26-27 October 2026<br>09:30 - 18:30<br>Teatrino di Palazzo Grassi, Venice<br><br>Free entry, all welcome<br><br>Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with\u00a0@palazzo_grassi, Pinault Collection Venezia<br><br>Coordinators:<br>@chiara_nicolini__<br>Giovanni Giacomo Paolin<br><br>Educational partners:<br>@abavenezia<br>Department of the Arts, @unibo<br>@dfbc.cafoscari<br>@curatorial.school<br>@iuav_venezia<br><br>Visual identity by @lorenzomasonstudio<br><br>Introducing film-makers Massimo D\u2019Anolfi and Martina Parenti, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26\u201327, 2026<br><br>Massimo D\u2019Anolfi and Martina Parenti will join Enrico Camporesi (@enrico_camporesi) in a conversation discussing the film-makers\u2019 video installation \u201c24 Landscapes + A Vision\u201d (2026) at CANICULA through the lens of the history of cinema<br><br>Massimo D\u2019Anolfi and Martina Parenti make use of film archive material, selected from within their wide-ranging documentary practice. In \u201c24 Landscapes + A Vision\u201d (2026), these fragments are recomposed into a symphonic score on the dimension of human existence as a cycle of destruction and renewal. The three-channel installation is a non-linear, encyclopaedic reflection on the interweav<\/span>\n\t\t\t\t\t\t<span class=\"sbi_expand\">\n\t\t\t\t\t\t\t<button type=\"button\" class=\"sbi_more_btn\" aria-label=\"Show full caption\" aria-expanded=\"false\" style=\"background:none;border:0;padding:0;font:inherit;color:inherit;cursor:pointer;\"><span class=\"sbi_more\" aria-hidden=\"true\">...<\/span><\/button>\n\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t<div class=\"sbi_meta_wrap\">\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n\t<div class=\"sbi-divider\"><\/div>\n<\/div>\n\t<\/div>\n\n\t<div id=\"sbi_load\" >\n\n\t<div class=\"sbi-screenreader\" aria-live=\"polite\" aria-atomic=\"true\" data-sbi-feed-status><\/div>\n\n\t\t\t<button class=\"sbi_load_btn\"\n\t\t\t\ttype=\"button\"  style=\"background: rgb(243,244,245);color: rgb(44,50,76);\" data-button-hover=\"#E8E8EB\">\n\t\t\t\t\t\t<span\n\t\t\t\tclass=\"sbi_btn_text\" >Load 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