{"id":1515,"date":"2024-09-09T10:05:18","date_gmt":"2024-09-09T08:05:18","guid":{"rendered":"https:\/\/inbetweenartfilm.com\/en\/?page_id=1515"},"modified":"2025-06-09T16:38:56","modified_gmt":"2025-06-09T14:38:56","slug":"thick-atmospheres","status":"publish","type":"page","link":"https:\/\/inbetweenartfilm.com\/en\/thick-atmospheres\/","title":{"rendered":"Thick Atmospheres"},"content":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

PUBLIC PROGRAM<\/h2>\n

Nebula<\/em><\/strong> will be accompanied by the public program Thick Atmospheres<\/strong><\/em><\/p>\n

October 17\u201318, 2024
\nTeatrino di Palazzo Grassi
\nVenice<\/p>\n

Curated by
\nBianca Stoppani<\/strong><\/p>\n

Organized in collaboration with
\nPalazzo Grassi Pinault Collection Venezia<\/strong><\/p>\n

The full calendar is available here<\/a><\/p>\n

Participants:<\/p>\n

2050+\/Ippolito Pestellini Laparelli, Maria Alicata, Mara Ambro\u017ei\u010d Verderber, Giorgio Andreotta Cal\u00f2, Karimah Ashadu, Lucia Aspesi, Cristina Baldacci, Erika Balsom, Leonardo Bigazzi, Lucrezia Calabr\u00f2 Visconti, Krist Gruijthuijsen, Nav Haq, Sharon Hecker, Fatima Hellberg, Eleni Ikoniadou, Chrissie Iles, Saodat Ismailova, Amal Khalaf, Helena Kritis, Basir Mahmood, Diego Marcon, Lorenzo Mason Studio, Ari Benjamin Meyers, Matteo Pasquinelli, Ippolito Pestellini Laparelli, Alessandro Rabottini, Mark Rappolt, Giulia Rispoli, Francesco Spampinato, Mike Sperlinger, Carla Subrizi, Paola Ugolini, Ana Teixeira Pinto, Valentine Umansky, and Isobel Whitelegg among others.<\/strong><\/p>\n

Coordination:
\nChiara Nicolini
\nGiovanni Giacomo Paolin<\/strong><\/p>\n

Educational Partners:
\nDepartment of the Arts, Alma Mater Studiorum \u2013 Universit\u00e0 di Bologna<\/strong>
\nDepartment of Philosophy and Cultural Heritage, Universit\u00e0 Ca\u2019 Foscari Venezia<\/strong>
\nSchool for Curatorial Studies Venice<\/strong><\/p>\n

Media Partner:
\nMousse<\/strong><\/p>\n

For international media enquiries please contact Sam Talbot:<\/strong>
\nMatthew Brown
\nEmail: matthew [at] sam-talbot.com<\/a>
\nPhone: T+44 (0) 7989 446557<\/p>\n

For Italian media enquiries please contact Lara Facco P&C:<\/strong>
\nLara Facco
\nEmail: lara [at] larafacco.com<\/a>
\nPhone: T +39 349 2529989
\nClaudia Santrolli<\/strong>
\nEmail: claudia [at] larafacco.com<\/a>
\nPhone: T +39 339 7041657[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_row_inner][vc_column_inner][vc_single_image image=”1535″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text el_class=”colonne-2″]Nebula<\/strong><\/em> will be accompanied by Thick Atmospheres<\/strong><\/em>, a discursive program curated by Bianca Stoppani<\/strong>, editor at the Fondazione, and organized on October 17\u201318 2024 in collaboration with Palazzo Grassi Pinault Collection Venezia.
\nEmbracing an entangled perspective on media and environments, Thick Atmospheres<\/em> will navigate a path through the poetic concerns evoked by the eight video installations featured in Nebula<\/em> and delve deeper into the ideas that informed both the exhibition\u2019s curatorial posture and the architectural interventions devised by 2050+ at the Complesso dell\u2019Ospedaletto. The participants include:
\n2050+\/Ippolito Pestellini Laparelli, Maria Alicata, Mara Ambro\u017ei\u010d Verderber, Giorgio Andreotta Cal\u00f2, Karimah Ashadu, Lucia Aspesi, Cristina Baldacci, Erika Balsom, Leonardo Bigazzi, Lucrezia Calabr\u00f2 Visconti, Krist Gruijthuijsen, Nav Haq, Sharon Hecker, Fatima Hellberg, Eleni Ikoniadou, Chrissie Iles, Saodat Ismailova, Amal Khalaf, Helena Kritis, Basir Mahmood, Diego Marcon, Lorenzo Mason Studio, Ari Benjamin Meyers, Matteo Pasquinelli, Ippolito Pestellini Laparelli, Alessandro Rabottini, Mark Rappolt, Giulia Rispoli, Francesco Spampinato, Mike Sperlinger, Carla Subrizi, Paola Ugolini, Ana Teixeira Pinto, Valentine Umansky, and Isobel Whitelegg among others.<\/strong>
\nExploring both the objects and the conditions of perception, Thick Atmospheres<\/em> will look at atmospheres as vectors dense with image and weather events: gaseous substances surrounding us, physical spaces where projected images become tangible, and metaphorical agents that imbricate humans and more-than-humans. Atmospheres are here defined as \u201cthick\u201d because they bring together the planetary and the existential just as they do the elemental, the medial, and the relational.
\nThe conversations, panels, and screenings of Thick Atmospheres<\/em> will probe wider questions concerning the act of seeing and the sensory experiencing of moving images, from their display contexts to the relationship between architecture and projected light and sound, the spatial distribution of screens, and the mobile aspect of spectatorship. At the same time, it will focus on the pervasiveness of images and media content, and the corporeal relationship they condition and create, as well as complex planetary-scale phenomena within the continuous aftermath of the Capitalocene, the sense of being lost, and the chance to find meaning again within the realities in which we are immersed.
\nIn addition, Thick Atmospheres<\/em> invites artist Karimah Ashadu, whose film Machine Boys was produced in 2024 by the Fondazione for her participation at the Biennale Arte 2024 and was awarded with the Silver Lion for a Promising Young Artist in the International Exhibition curated by Adriano Pedrosa. Finally, it presents the work in progress that Paola Ugolini, curator at the Fondazione, is undertaking with co-editors Maria Alicata and Carla Subrizi for an upcoming publication dedicated to women artists working with moving images in Italy between the 1960\u20131970.
\nOn this occasion, Fondazione In Between Art Film has partnered with Mousse: a special live coverage of the conversations and panels over the two days of Thick Atmospheres<\/em> will be authored by Chiara Moioli<\/strong>, senior editor at Mousse, and broadcasted via Mousse\u2019s Instagram account<\/a> offering critical and editorial insights that will be echoed across various formats following the event.
\nFondazione In Between Art Film has also activated a number of educational partnerships with Italian universities including the Department of the Arts, Alma Mater Studiorum \u2013 Universit\u00e0 di Bologna<\/strong>, the Department of Philosophy and Cultural Heritage Universit\u00e0 Ca\u2019 Foscari Venezia<\/strong>, and the School for Curatorial Studies Venice<\/strong> with the aim of offering formative experiences tailored to students from art history, film, photography, and scenography schools.
\nThe program builds upon and extends the work of Vanishing Points<\/em>\u2013\u2013the public program curated by Bianca Stoppani and Paola Ugolini\u2014that accompanied the first exhibition organized by Fondazione In Between Art Film at the Complesso dell\u2019Ospedaletto called Penumbra\u2013\u2013which in 2022 looked at the relationship between seeing and knowing as fabricated by linear perspective.
\nPlease follow @fondazioneinbetweenartfilm<\/a> on Instagram for more details on Thick Atmospheres<\/em>.
\nThe program is free and open to all.[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_id=”calendario”][vc_column][vc_row_inner][vc_column_inner][vc_column_text css=”.vc_custom_1746530729717{border-bottom-width: 1px !important;border-bottom-color: #ffffff !important;border-bottom-style: solid !important;}”]<\/p>\n

RECORDINGS<\/strong><\/h2>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1655″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/the-medial-aspect-of-the-environment\/”][vc_column_text]The Medial Aspect of the Environment<\/strong><\/p>\n

By Bianca Stoppani, Editor, In Between Art Film Foundation[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1656″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https:\/\/inbetweenartfilm.com\/uncertain-gazes-the-anthropocene-in-arts-and-sciences\/”][vc_column_text]Uncertain Gazes \u2013 The Anthropocene in Arts and Sciences<\/strong><\/p>\n

With Cristina Baldacci, associate professor, Ca\u2019 Foscari University, Venice
\nMatteo Pasquinelli, associate professor, Ca\u2019 Foscari University, Venice
\nGiulia Rispoli, assistant professor and senior researcher, Ca\u2019 Foscari University, Venice
\nModerated by Francesco Spampinato, full professor, University of Bologna[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1657″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/when-the-real-floods-the-imaginary\/”][vc_column_text]When the Real Floods the Imaginary<\/strong><\/p>\n

Giorgio Andreotta Cal\u00f2, artist<\/p>\n

Mara Ambro\u017ei\u010d Verderber, executive and artistic director, Piran Coastal Galleries[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1658″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/focus-on-the-exhibition-nebula\/”][vc_column_text]Focus on the exhibition Nebula<\/strong><\/p>\n

with Leonardo Bigazzi, curator, Fondazione In Between Art Film<\/p>\n

Alessandro Rabottini, artistic director, Fondazione In Between Art Film[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1659″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/fritz”][vc_column_text]Fritz<\/strong><\/p>\n

with\u00a0Diego Marcon, artist<\/p>\n

Fatima Hellberg, director, Bonner Kunstverein; designated director, mumok, Vienna[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1660″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/dust-never-sleeps-accumulation-in-cinthia-marcelles-and-tiago-mata-machados-practice\/”][vc_column_text]Dust Never Sleeps \u2013 Accumulation in Cinthia Marcelle\u2019s and Tiago Mata Machado\u2019s Practice<\/strong><\/p>\n

with Ana Teixeira Pinto, associate professor, Braunschweig University of Art<\/p>\n

Isobel Whitelegg, associate professor, School of Museum Studies, University of Leicester[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1661″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/moving-images-art-and-the-politics-of-the-gaze\/”][vc_column_text]Moving Images, Art, and the Politics of the Gaze \u2013 Women Artists Between the 1960s and 1970s<\/strong><\/p>\n

with Maria Alicata, art historian, curator; adjunct professor, Sapienza University of Rome<\/p>\n

Sharon Hecker, adjunct professor, Catholic University of the Sacred Heart, Milan<\/p>\n

Carla Subrizi, director of the School of Specialization in Historical Artistic Heritage, Sapienza University of Rome; president of Baruchello Foundation<\/p>\n

Paola Ugolini, art critic; curator, In Between Art Film Foundation<\/p>\n

Moderated by Lucrezia Calabr\u00f2 Visconti, Chief Curator, Pinacoteca Agnelli, Turin[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1662″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/labour-hierarchy-and-hypermasculinity-within-nigerian-culture\/”][vc_column_text]Labour, Hierarchy and Hypermasculinity within Nigerian Culture<\/strong><\/p>\n

with Karimah Ashadu, artist<\/p>\n

Mark Rappolt, editor-in-chief, ArtReview\/ArtReview Asia[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1663″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/the-environmental-aspect-of-media\/”][vc_column_text]The Environmental Aspect of Media<\/strong><\/p>\n

with Bianca Stoppani, editor, Fondazione In Between Art Film[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1664″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/irreconcilable-echoes-a-conversation-on-the-occasion-of-the-work-of-basel-abbas-and-ruanne-abou-rahme\/”][vc_column_text]Irreconcilable Echoes \u2013 A Conversation on the Occasion of the Work of Basel Abbas and Ruanne Abou-Rahme<\/strong><\/p>\n

with Eleni Ikoniadou, reader in Digital Culture and Sonic Arts, Royal College of Art, London<\/p>\n

Mike Sperlinger, head of programme, Office of Contemporary Art Norway[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1665″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/always-rehearsing-never-performing\/”][vc_column_text]Always Rehearsing, Never Performing<\/strong><\/p>\n

with Ari Benjamin Meyers, artist<\/p>\n

Krist Gruijthuijsen, curator and critic[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1666″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/focus-on-the-catalogue-for-nebula\/”][vc_column_text]Focus on the catalogue for Nebula<\/strong><\/p>\n

with Leonardo Bigazzi, curator, Fondazione In Between Art Film
\nLorenzo Mason Studio, Designers
\nAlessandro Rabottini, artistic director, Fondazione In Between Art Film
\nBianca Stoppani, editor, Fondazione In Between Art Film[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1667″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/are-we-inside-the-crater-now\/”][vc_column_text]Are we Inside the Crater Now?<\/strong><\/p>\n

with Saodat Ismailova, artist
\nValentine Umansky, curator for International Art, Tate Modern, London[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1668″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/spectral-guides\/”][vc_column_text]Spectral Guides \u2013 Constellations of Listening and Reading in the Work of Christian Nyampeta<\/strong><\/p>\n

with Amal Khalaf, director, Cubitt, London; curator at large, Serpentine, London; co-curator, Sharjah Biennial 16<\/p>\n

Helena Kritis, chief curator, WIELS Centre for Contemporary Art, Brussels[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1669″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/forms-between-distant-places\/”][vc_column_text]Forms Between Distant Places<\/strong><\/p>\n

with Basir Mahmood, artist<\/p>\n

Nav Haq, associate director, M HKA \u2013 Museum of Contemporary Art Antwerp[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1670″ img_size=”full” alignment=”center” onclick=”custom_link” link=”\/evanescent-traces-situated-in-our-time\/”][vc_column_text]Evanescent Traces Situated in our Time \u2013 On the Environmental Aspect of Moving Images<\/strong><\/p>\n

with 2050+\/Ippolito Pestellini Laparelli, architect, curator, founder of 2050+
\nErika Balsom, reader in Film and Media Studies, King\u2019s College, London
\nChrissie Iles, Anne and Joel Ehrenkranz curator, Whitney Museum of American Art, New York
\nModerated by Lucia Aspesi, curator, Pirelli HangarBicocca, Milan[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_column_text] PUBLIC PROGRAM Nebula will be accompanied by the public program Thick Atmospheres October 17\u201318, 2024 Teatrino di Palazzo Grassi Venice Curated by Bianca Stoppani [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1515","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/1515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/comments?post=1515"}],"version-history":[{"count":17,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/1515\/revisions"}],"predecessor-version":[{"id":1673,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/1515\/revisions\/1673"}],"wp:attachment":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/media?parent=1515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}