{"id":1322,"date":"2024-01-11T11:14:48","date_gmt":"2024-01-11T10:14:48","guid":{"rendered":"https:\/\/inbetweenartfilm.com\/en\/?page_id=1322"},"modified":"2026-04-07T15:00:36","modified_gmt":"2026-04-07T13:00:36","slug":"nebula","status":"publish","type":"page","link":"https:\/\/inbetweenartfilm.com\/en\/nebula\/","title":{"rendered":"NEBULA <\/br><\/br>"},"content":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

NEBULA<\/strong><\/h2>\n

[\/vc_column_text][vc_column_text]An exhibition with 8 new video installations commissioned and produced by Fondazione In Between Art Film on the occasion of the Biennale Arte 2024<\/p>\n

17 April \u2013 24 November 2024<\/p>\n

Complesso dell’Ospedaletto, Venice<\/p>\n

with<\/p>\n

Giorgio Andreotta Cal\u00f2, Basel Abbas and Ruanne Abou-Rahme, Saodat Ismailova, Cinthia Marcelle and Tiago Mata Machado, Diego Marcon, Basir Mahmood, Ari Benjamin Meyers, and Christian Nyampeta<\/p>\n

curated by<\/p>\n

Alessandro Rabottini, Artistic director, Fondazione In Between Art Film
\nLeonardo Bigazzi, Curator, Fondazione In Between Art Film<\/p>\n

Read the digital exhibition guide here<\/a><\/span>.<\/p>\n

Opening hours<\/strong><\/p>\n

Nebula is open every day except Tuesdays
\nOpening hours: 10-18 (Last admission at 17:15)
\nFree entry with no reservation required<\/p>\n

Special opening hours: April 17\u201321, 2024, 10-20 (Last admission at 19:15)<\/p>\n

Guided Tours<\/strong><\/p>\n

Free guided tours curated by the collective Oltreforma are available for the public every second and fourth Saturday of the month
\nFirst guided tour: 11 Second guided tour: 15
\nThe maximum capacity of each tour is 12 people
\nTo book, please send an e-mail to: tour@inbetweenartfilm.com<\/a><\/span><\/p>\n

How to get here<\/strong><\/p>\n

Complesso dell’Ospedaletto is located in Barbaria de le Tole, 6691, in the area of Castello. Open Google Maps<\/a><\/span>.<\/p>\n

The nearest waterbus stops are Rialto, San Zaccaria, and Ospedale. Find timetables and routes<\/a><\/span>.<\/p>\n

General Inquiries<\/strong>
\nnebula@inbetweenartfilm.com<\/a><\/span>
\n+39 346 3159425<\/p>\n

Nebula<\/em> will be accompanied by Thick Atmospheres<\/em><\/strong>,
\na cross-disciplinary symposium<\/p>\n

curated by<\/p>\n

Bianca Stoppani<\/strong>, Editor, Fondazione In Between Art Film
\nwith exhibition design and scenography by 2050+<\/p>\n

organized in collaboration with
\nPalazzo Grassi, Pinault Collection Venezia
\nat the Teatrino di Palazzo Grassi
\nOctober 17\u201318, 2024<\/p>\n

Info and details here<\/a>.<\/p>\n

International media inquiries<\/strong><\/p>\n

SAM TALBOT
\nMatthew Brown, matthew@sam-talbot.com<\/a><\/span>, +44 (0) 7989 446557<\/p>\n

Italian media inquiries<\/strong><\/p>\n

LARA FACCO P&C
\nLara Facco, lara@larafacco.com<\/a><\/span>, +39 349 2529989
\nClaudia Santrolli, claudia@larafacco.com<\/a><\/span>, +39 339 7041657[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_row_inner el_class=”inner-pics” css=”.vc_custom_1638956780289{margin-bottom: 0px !important;}”][vc_column_inner width=”1\/2″][vc_single_image image=”1324″ img_size=”large” css=”.vc_custom_1704975819285{border-bottom-width: 0px !important;padding-bottom: 0px !important;}” el_class=”imgcstmpenumbra”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”1325″ img_size=”large” el_class=”img-penumbra imgcstmpenumbra” css=”.vc_custom_1704970327652{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text el_class=”dida-penumbra” css=”.vc_custom_1704976351721{margin-top: -5px !important;}”]Images of the Complesso dell’Ospedaletto by Giacomo Bianco<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text el_class=”colonne-2″]Nebula<\/i>\u00a0is a group exhibition curated by\u00a0Alessandro Rabottini<\/b>\u00a0and\u00a0Leonardo Bigazzi<\/b>\u00a0that features 8 new site-specific video installations commissioned to\u00a0Giorgio Andreotta Cal\u00f2\u00a0<\/b>(1979, Italy),\u00a0Basel Abbas<\/b>\u00a0and\u00a0Ruanne Abou-Rahme<\/b>\u00a0(1983, Cyprus\/1983, USA),\u00a0Saodat Ismailova<\/b>\u00a0(1981, Uzbekistan),\u00a0Cinthia Marcelle\u00a0<\/b>and\u00a0Tiago Mata Machado<\/b>\u00a0(1974, Brazil\/1973, Brazil),\u00a0Diego Marcon<\/b>\u00a0(1985, Italy),\u00a0Basir Mahmood<\/b>\u00a0(1985, Pakistan\/Netherlands),\u00a0Ari Benjamin Meyers<\/b>\u00a0(1972, USA), and\u00a0Christian Nyampeta<\/b>, and produced by Fondazione In Between Art Film.<\/p>\n

Nebula<\/i>, the Latin word for \u201ccloud\u201d or \u201cfog,\u201d is the second chapter of a series of exhibitions organized by the Fondazione in Venice that began with\u00a0Penumbra<\/b><\/i>\u00a0in 2022 and explores states of vision and extra-visual perception. The Fondazione returns to the same venue, the Complesso dell\u2019Ospedaletto, this time transforming its spaces into a sensory architecture, incorporating the Church of Santa Maria dei Derelitti, the frescoed concert room and the old pharmacy, as well as unveiling a previously unseen wing of the modern retirement home.<\/p>\n

Nebula<\/b><\/i>\u00a0further deepens the narrative and spatial interaction between the newly commissioned video installations and the architecture. The artists have been invited to conceive their works in close structural, visual, and sonic dialogue with the spaces. Developed over two years, the exhibition makes explicit the methodology of the Fondazione in commissioning and producing moving images works, one that nurtures long-lasting relationships of curatorial and production support to the artists.<\/p>\n

The exhibition concept is inspired by the phenomenon of fog as a material and metaphorical space where visual orientation is reduced, and different sensorial tools are required to produce and situate our understanding of what surrounds us. Within this framework, the works in\u00a0Nebula<\/i>\u00a0embrace forms of psychological, socio-political, technological, and historical fragmentation, suggesting possible ways of navigation through a present crossed by forces that, like fog, feel like both immaterial and insurmountable. The works in the exhibition, in this sense, look at the possible internal and individual responses in the face of events that condition the movements of existences. Finally, by placing the dissemination of sounds and images through the space at the heart of its scenography,\u00a0Nebula<\/i>\u00a0also proposes a reflection on the pervasive production and distribution of images, information, hopes, and fears.<\/p>\n

The interdisciplinary studio 2050+<\/strong>, founded by Ippolito Pestellini Laparelli<\/strong>, has once again been invited to interpret and spatialize the curatorial concept through the exhibition design. Their interventions will stage the visual, acoustic, tactile, and mental conditions of nebulousness with synesthetic splits and junctures between the works that at times emphasize, while at others break free from, the original architecture.<\/p>\n

Nebula<\/em> will be accompanied by a cross-disciplinary public program curated by Bianca Stoppani<\/strong>, editor at the Fondazione, and organized in collaboration with Palazzo Grassi, Pinault Collection Venezia at the Teatrino di Palazzo Grassi on October 17\u201318, 2024. The public program will involve the artists featured in the exhibition and expand the conversations around their practices, via panels, screenings and performative contributions.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text css=”.vc_custom_1589698019580{border-bottom-width: 1px !important;border-bottom-color: #ffffff !important;border-bottom-style: solid !important;}”]<\/p>\n

ARTISTS BIOGRAPHIES<\/strong><\/h2>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1329″ img_size=”full” alignment=”center”][vc_column_text]Basel Abbas<\/b>\u00a0(1983, Cyprus) and\u00a0Ruanne Abou-Rahme\u00a0<\/b>(1983, USA) currently live and work between Ramallah and New York. Solo presentations of their work have been held at Astrup Fearnley Museet, Oslo; Migros Museum of Contemporary Art, Zurich; The Museum of Modern Art, New York; Centraal Museum, Utrecht; Kunstverein Hamburg; Tale of A Tub, Rotterdam; Krannert Art Museum, Champaign (IL); Protocinema at Alt Bomonti, Istanbul; ICA, Philadelphia; Office for Contemporary Art, Oslo; Jameel Art Center, Dubai; and Delfina Foundation, London. Selected group exhibitions include Sharjah Biennial (2023); Berlin Biennale (2022); The Mistake Room, Los Angeles; Seoul International Media Art Biennale (2016); Kunsthalle Wien; ICA, London; Darat al Funun, Amman; S\u00e3o Paulo Biennial (2014); Gwangju Biennale (2014); Istanbul Biennial (2013). They were recipients of the Open Society Foundations fellowship, New York, in 2020\u201321, and they were artists in residence at Robert Rauschenberg Foundation, Captiva, in 2023. Their current project\u00a0May amnesia never kiss us on the mouth<\/i>\u00a0(2020\u2013) is being released in three parts with Dia Art Foundation as part of their\u00a0Artist Web Projects<\/i>.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1333″ img_size=”full” alignment=”center”][vc_column_text]Giorgio Andreotta Cal\u00f2<\/b>\u00a0(1979, Italy) studied Sculpture at the Academy of Venice and the Wei\u00dfensee Kunsthochschule in Berlin. He was an assistant to Ilya and Emilia Kabakov from 2007\u201311. He participated in international residency programs such as the Rijksakademie in Amsterdam, Villa Arson in Nice and the International Studio & Curatorial Program in New York. His work has been exhibited and presented in numerous personal and group exhibitions at institutions such as Oude Kerk, Amsterdam; and Pirelli HangarBicocca, Milan. He has been the recipient of numerous prizes promoted by the Italian Ministry of Culture including the PAC \u2013 Piano per l\u2019Arte Contemporanea (2021), the Italian Council (2017), the Premio Italia Arte Contemporanea (2012). He took part in the Biennale Arte 2011, and represented Italy at the Biennale Arte 2017. He lives and works in Venice where he teaches Sculpture at the Academy of Fine Arts.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1335″ img_size=”full” alignment=”center”][vc_column_text]Saodat Ismailova<\/b>\u00a0(1981, Uzbekistan) is a filmmaker and artist who lives and works between Tashkent and Paris. Her works have been presented in solo exhibitions at Le Fresnoy \u2013 Studio national des arts contemporains, Tourcoing; Eye Filmmuseum, Amsterdam; the Center for Contemporary Art Tashkent; Troms\u00f8 Kunstforening; and the Kunstsammlungen & Museen Augsburg, among others. Ismailova\u2019s works have also been featured in group shows at Haus der Kulturen der Welt, Berlin; Sharjah Biennal (2023); Para Site, Hong Kong; documenta fifteen, Kassel (2022); and Biennale Arte 2022 and 2013. Works by Ismailova are in the collections of the Stedelijk Museum, Amsterdam; Centre Pompidou, Paris; Almaty Museum of Arts; FRAC Corsica; and Thyssen-Bornemisza National Museum, Madrid, among others. In 2022, she was awarded the Eye Prize for Art and Film, Amsterdam. She is the initiator of the educational program CCA Lab and the Tashkent Film Encounters; and she is the founder of the DAVRA research group, which is dedicated to studying, documenting, and disseminating Central Asian culture and knowledge.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1330″ img_size=”full” alignment=”center”][vc_column_text]Basir Mahmood\u00a0<\/b>(1985, Pakistan\/Netherlands) is an artist who lives and works between Lahore and Amsterdam. His works have been widely shown in institutions and international exhibitions, including Lahore Biennale (2020); Karachi Biennale (2019); Stedelijk Museum, Amsterdam; Berlin Biennale (2018); Contour Biennale, Mechelen (2017); Yinchuan Bienniale (2016); Sharjah Biennial (2013); and Palais de Tokyo, Paris. Mahmood\u2019s works have been acquired by the Queensland Art Gallery, Brisbane; the Centre national des arts plastiques; M HKA \u2013 Museum of Contemporary Art, Antwerp; Stedelijk Museum, Amsterdam, among others. Mahmood is an academic who teaches and delivers talks at notable art institutions, and served as Curator of\u00a0VideoClub x IDFA<\/i>\u00a0at the Stedelijk Museum in 2018.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1332″ img_size=”full” alignment=”center”][vc_column_text]Cinthia Marcelle<\/b>\u00a0(1974, Brazil) and\u00a0Tiago Mata Machado<\/b>\u00a0(1973, Brazil) are artists and filmmakers who live and work respectively in S\u00e3o Paulo and Belo Horizonte. Their works have been exhibited in museums, biennials, and institutions including Gallerie d\u2019Italia, Turin; Logan Center for the Arts, Chicago; Pinacoteca de S\u00e3o Paulo; MAXXI, Rome; Biennale Jogja, Yogyakarta, and Biennale de Lubumbashi (both in 2017); Biennale de l\u2019Image en Mouvement, Geneva (2016); KIASMA, Helsinki; Istanbul Biennial (2013); New Museum Triennial, New York (2012); Rochester Art Center; and Bienal de S\u00e3o Paulo (2010), among others. They worked together on a project that Marcelle presented as part of her representation of Brazil at the Biennale Arte 2017, which received a special mention.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1334″ img_size=”full” alignment=”center”][vc_column_text]Diego Marcon<\/b> (1985, Italy) is an artist who centers his moving image practice on the investigation of cinematic archetypes, combining theoretical and structural approaches to filmmaking, with the sentimental attitudes of popular movie genres. Marcon has exhibited internationally with recent solo presentations at Kunsthalle Basel; Centro per l\u2019arte contemporanea Luigi Pecci, Prato; Fondazione Nicola Trussardi, Milan; and Museo MADRE, Naples. Recent group exhibitions include Biennale Arte 2022; Mudam, Luxembourg; Museo MACTE, Termoli; and Fondazione Prada, Milan. His films were presented in festivals such as Quinzaine des cin\u00e9astes, Cannes; International Film Festival Rotterdam; Viennale, Vienna; Festival du nouveau cin\u00e9ma de Montr\u00e9al; IndieLisboa, Lisbon; and BFI London Film Festival.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1328″ img_size=”full” alignment=”center”][vc_column_text]Ari Benjamin Meyers<\/b>\u00a0(1972, USA) is an artist who lives and works in Berlin. Trained as a composer and conductor at The Juilliard School, New York City (NY); Yale University, New Haven (CT), and The Peabody Institute at Johns Hopkins University, Baltimore (MD), Meyers became widely known in the context of the visual and performative arts in 2007 as musical director and conductor of the group exhibition\u00a0Il Tempo del Postino<\/i> (Manchester International Festival in 2007, and Art Basel in 2009). Since then, Meyers\u2019s works have been shown internationally in institutions and festivals including Berliner Festspiele; Museum Abteiberg, M\u00f6nchengladbach; Festival d\u2019Avignon; Hamburger Kunsthalle; Hamburger Bahnhof, Berlin; MAAT, Lisbon; Beaufort Triennial; V\u2013A\u2013C Foundation, Moscow; OGR, Turin; Museum of Contemporary Art Santa Barbara; Frac Franche-Comt\u00e9, Besan\u00e7on; Palazzo Grassi \u2013 Punta della Dogana, Venice; Liverpool Biennial; Nowy Teatr, Warsaw; Public Art Munich; Kunstinstituut Melly, Rotterdam; Sonic Somatic Festival, Florence; Biennale de Lyon; and Lenbachhaus, Munich. His performances Unless<\/i>\u00a0and\u00a0Forecast (LX23)\u00a0<\/i>are currently touring throughout Europe.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”1331″ img_size=”full” alignment=”center”][vc_column_text]Christian Nyampeta<\/b>\u00a0is an artist who lives and works in New York, London, the Netherlands, and Rwanda. Nyampeta is a convenor of the Nyanza Working Group of ARAC \u2013 Another Roadmap School, which participated in documenta fifteen. His recent exhibitions were presented in institutions such as Shanghai Biennale (2023); Carnegie International, Pittsburgh; Istanbul Biennal; and Manifesta 14, Pristina (all in 2022). In 2019, Nyampeta was awarded with the Art Prize Future of Europe by the Museum of Contemporary Art, Leipzig, and the European Union Prize at the Bamako Encounters \u2013 African Biennial of Photography. Nyampeta was the convener of the Boda Boda Lounge 2022, a trans-African film and video art festival co-initiated by Centre d\u2019Art Waza, Lubumbashi. Nyampeta is also a Member of Faculty at the MA Curatorial Practice at the School of Visual Arts, New York, where he teaches Performance. Nyampeta is a member of the Board of Directors at the Storefront for Art and Architecture in New York, and a board member of\u00a0November<\/i>\u00a0magazine.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/3″][vc_column_text] NEBULA [\/vc_column_text][vc_column_text]An exhibition with 8 new video installations commissioned and produced by Fondazione In Between Art Film on the occasion of the Biennale Arte [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1322","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/1322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/comments?post=1322"}],"version-history":[{"count":26,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/1322\/revisions"}],"predecessor-version":[{"id":1774,"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/1322\/revisions\/1774"}],"wp:attachment":[{"href":"https:\/\/inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/media?parent=1322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}