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Looking at our times through the prism of the moving image.

 

At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.

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Introducing curator Daphne Dragona, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26–27, 2026 Daphne Dragona (@daphne_dragona) will join the symposium with a lecture titled “Blinded by It All: On Art, Agency, and Critical Distance” Daphne Dragona is an Assistant Professor at the Department of Audio & Visual Arts of the Ionian University, as well as an independent curator and writer. Her recent work examines the ambiguous role of technology in the climate crisis, taking into consideration planetary infrastructures, emerging aesthetics, and ecological practices. Her exhibitions and projects have been hosted by institutions such as Onassis Stegi, LABoral, Aksioma, EMST (National Museum of Contemporary Art, Athens), and Akademie Schloss Solitude. She previously was a curator for the transmediale festival (Berlin, 2015–2019) and the European Media Art Festival (EMAF, Osnabrück, 2021–2023). Her writings have appeared in publications including Springerin, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac. She has been a fellow at the Weibel Institute for Digital Cultures at the University of Applied Arts Vienna, and at the Kone Foundation’s Saari Residence 26-27 October 2026 09:30 - 18:30 Teatrino di Palazzo Grassi, Venice Free entry, all welcome Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with @palazzo_grassi, Pinault Collection Venezia Coordinators: @chiara_nicolini__ Giovanni Giacomo Paolin Educational partners: @abavenezia Department of the Arts, @unibo @dfbc.cafoscari @curatorial.school @iuav_venezia Visual identity by @lorenzomasonstudio Photo by Pinelopi Gerasimou

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Introducing scholar Xenia Manuela Chiaramonte, who will participate in the symposium accompanying CANICULA and taking place at the Teatrino di Palazzo Grassi, Venice, on October 26–27, 2026 Xenia Manuela Chiaramonte (@chloesflowersinthenight) will join the symposium with a lecture titled “Legal Imagination in a Time of Disasters” Xenia Manuela Chiaramonte is an associate professor at the Department of Philosophy and Cultural Heritage at Ca’ Foscari University of Venice, where she teaches Theory and Critique of Law and Law and Society. She is the author of “Governare il conflitto. La criminalizzazione del movimento No Tav” (Meltemi, Milan, 2019) and co-editor of the Italian critical criminology blog Studi sulla Questione Criminale, as well as a member of the journal’s editorial board. Since 2015, she has been teaching in the Master’s programme in Critical Criminology and Social Security at the Universities of Bologna and Padua. She also teaches the module “Law and Environment” in the Ecosocialism Advanced Course at the University of Milano-Bicocca, as well as, together with Federica Buongiorno, “Theories and Critical Gender Studies” at the University of Florence 26-27 October 2026 09:30 - 18:30 Teatrino di Palazzo Grassi, Venice Free entry, all welcome Curated by Bianca Stoppani (@abinoppst) and organized in collaboration with @palazzo_grassi, Pinault Collection Venezia Coordinators: @chiara_nicolini__ Giovanni Giacomo Paolin Educational partners: @abavenezia Department of the Arts, @unibo @dfbc.cafoscari @curatorial.school @iuav_venezia Visual identity by @lorenzomasonstudio Photo by Claudia Peppel

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Sneak peak from the upcoming video documentation of CANICULA, where 2050+ architects Ippolito Pestellini Laparelli e Francesca Lantieri expand upon the concept of the exhibition’s scenography Developed in close relation with the content of the works, as well as with the architecture and history of the Complesso dell’Ospedaletto, the exhibition design becomes an additional perceptive and narrative element in the overall experience of the exhibition, starting from the use of materials that evoke and make manifest the erosive action of muggy weather and sunlight. The exhibition route comprises the environments that house the works, as well as rooms and spaces that appear isolated and protected, as if in an effort to stem the destructive potential of damaging external agents. And it is the staging of a hypothetical dialogue with a threatening outside world that guides the use of light throughout the exhibition – a light that hints, at different levels of intensity, at an intolerable climate bearing down on the space of the exhibition CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe Curated by @alessandro.rabottini and @leonardobigazzi Scenography by @2050.plus Video credits: Directed and edited by @daviderapp Filmed by @_giorgiodemarco_ Editorial Supervision and Project Coordination by @anninacastelli Graphic Design by @lorenzomasonstudio

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Sneak peak from the upcoming video documentation of CANICULA, where artists Roman Khimei and Yarema Malashchuk speculate on fiction as a potential site for dialogue between victims and oppressors In a sequence of five rooms within what was the former care home – prior to its closure in the early 2000s – Roman Khimei and Yarema Malashchuk site a multichannel video installation titled Wishful Thinking (2026). The work consists in a series of speculative testimonies in which elderly Russian soldiers, close to death, recall their involvement in the war against Ukraine. Projecting their stories into the future and into the final moment of their individual existence, the work intertwines the banality of violence with regret or its absence, and collective history with individual memory CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe Curated by @alessandro.rabottini and @leonardobigazzi Scenography by @2050.plus Video credits: Directed and edited by @daviderapp Filmed by @_giorgiodemarco_ Editorial Supervision and Project Coordination by @anninacastelli Graphic Design by @lorenzomasonstudio