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Mostra “Nebula.”
Exhibition “Nebula.” With works by Basel Abbas and Ruanne Abou-Rahme, Giorgio Andreotta Calò, Saodat Ismailova, Basir Mahmood, Cinthia Marcelle and Tiago Mata Machado, Diego Marcon, Ari Benjamin Meyers, and Christian Nyampeta. Installation view at the Complesso dell’Ospedaletto, Venice, 2024. Courtesy of Fondazione In Between Art Film. Photo: Lorenzo Palmieri
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Catalogue Masbedo: Protocol no. 90/6 published by Electa. With contributions by Masbedo, Emiliano Morreale, Bartolomeo Pietromarchi, Ippolito Pestellini Laparelli, Alessandro Rabottini, and Nicolò Scalzo. Photo: Roberto Apa
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Exhibition “Ali Cherri - Dreamless Night.” Installation view at GAMeC, Bergamo, 2023. Courtesy of GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo, and Fondazione In Between Art Film. Photo: Lorenzo Palmieri
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Monograph Ali Cherri: Dreams of a Dreamless Night published by Lenz Press. Edited by Alessandro Rabottini and Leonardo Bigazzi with Bianca Stoppani. Texts by Cecilia Alemani, Erika Balsom, Étienne Bernard, Leonardo Bigazzi, Ali Cherri, Lorenzo Giusti, Stefanie Hessler, Priyesh Mistry, Alessandro Rabottini, and Stefan Tarnowski. Photo: Giacomo Bianco
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Karimah Ashadu, Machine Boys, 2024. Still from video. Produced by Fondazione In Between Art Film. Courtesy of the artist and Fondazione In Between Art Film
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Screening of Ali Cherri’s film The Watchman (2023) and Gerard Ortín Castellví’s film Bliss Point (2023) at Cinema Galleggiante, Venice, 2024. Courtesy Microclima. Photo: Riccardo Banfi
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Masbedo, Pantelleria, 2022. Installation view at Manifesta 15, Barcelona Metropolitana, 2024. Commissioned and produced by Fondazione In Between Art Film on the occasion of the exhibition “Penumbra” at the Complesso dell’Ospedaletto, Venice, 2022. Courtesy of the artists and Manifesta 15 Barcelona Metropolitana. Photo: Cecília Coca
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Jonathas de Andrade, Nó Na Garganta [Knot in the Throat], 2022. Installation view at Manifesta 15, Barcelona Metropolitana, 2024. Commissioned and produced by Fondazione In Between Art Film for de Andrade’s exhibition at the Brazilian Pavilion at La Biennale Arte 2022. Courtesy of the artist and Manifesta 15 Barcelona Metropolitana. Photo: Cecília Coca
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Jonathas de Andrade, Olho da Rua [Out Loud], 2022. Still from video. Presented at Manifesta 15, Barcelona Metropolitana, 2024. Commissioned and produced by Fondazione In Between Art Film on the occasion of the exhibition “Penumbra” at the Complesso dell’Ospedaletto, Venice, 2022. Courtesy of the artist and Fondazione In Between Art Film
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Thick Atmospheres symposium at Teatrino di Palazzo Grassi, Venice, on the occasion of the exhibition “Nebula.” Image: Chrissie Iles and Lucia Aspesi. Photo: Matteo De Fina
lms-InBetweenArtFilms-banner-desktop-271122-2
Catalogue of the exhibition Nebula published by Marsilio Arte. Edited by Bianca Stoppani with Leonardo Bigazzi and Alessandro Rabottini. Texts by Karen Archey, Natalie Bell, Leonardo Bigazzi, Beatrice Bulgari, Nasrin Himada, Emily LaBarge, Paolo Pecere, Ippolito Pestellini Laparelli, Alessandro Rabottini, Philippa Snow, Bianca Stoppani, Xiaoyu Weng, and Isobel Whitelegg. Photo: Giacomo Bianco
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Andro Eradze, Flowering and Fading, 2024. Still from video. Co-produced by Lo schermo dell’arte and Fondazione In Between Art Film within the context of VISIO Production Fund 2024. Courtesy of the artist, Lo schermo dell’arte, Fondazione In Between Art Film, and SpazioA Pistoia
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Screening program Nebula Expanded at Museo MAXXI, Rome. With works by Basel Abbas and Ruanne Abou-Rahme, Giorgio Andreotta Calò, Saodat Ismailova, Basir Mahmood, Cinthia Marcelle and Tiago Mata Machado, Diego Marcon, Ari Benjamin Meyers, and Christian Nyampeta. Image: Basir Mahmood, Monuments of Arrival and Return, 2016. Still from video. Courtesy of the artist
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Catalogue Masbedo: Protocol no. 90/6 published by Electa. With contributions by Masbedo, Emiliano Morreale, Bartolomeo Pietromarchi, Ippolito Pestellini Laparelli, Alessandro Rabottini, and Nicolò Scalzo. Photo: Roberto Apa
lms-InBetweenArtFilms-banner-sito4
Exhibition “Ali Cherri - Dreamless Night.” Installation view at GAMeC, Bergamo, 2023. Courtesy of GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo, and Fondazione In Between Art Film. Photo: Lorenzo Palmieri
lms-InBetweenArtFilms-banner-sito4
Monograph Ali Cherri: Dreams of a Dreamless Night published by Lenz Press. Edited by Alessandro Rabottini and Leonardo Bigazzi with Bianca Stoppani. Texts by Cecilia Alemani, Erika Balsom, Étienne Bernard, Leonardo Bigazzi, Ali Cherri, Lorenzo Giusti, Stefanie Hessler, Priyesh Mistry, Alessandro Rabottini, and Stefan Tarnowski. Photo: Giacomo Bianco
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Karimah Ashadu, Machine Boys, 2024. Still from video. Produced by Fondazione In Between Art Film. Courtesy of the artist and Fondazione In Between Art Film
lms-InBetweenArtFilms-banner-sito4
Screening of Ali Cherri’s film The Watchman (2023) and Gerard Ortín Castellví’s film Bliss Point (2023) at Cinema Galleggiante, Venice, 2024. Courtesy Microclima. Photo: Riccardo Banfi
lms-InBetweenArtFilms-banner-sito4
Masbedo, Pantelleria, 2022. Installation view at Manifesta 15, Barcelona Metropolitana, 2024. Commissioned and produced by Fondazione In Between Art Film on the occasion of the exhibition “Penumbra” at the Complesso dell’Ospedaletto, Venice, 2022. Courtesy of the artists and Manifesta 15 Barcelona Metropolitana. Photo: Cecília Coca
lms-InBetweenArtFilms-banner-sito4
Jonathas de Andrade, Nó Na Garganta [Knot in the Throat], 2022. Installation view at Manifesta 15, Barcelona Metropolitana, 2024. Commissioned and produced by Fondazione In Between Art Film for de Andrade’s exhibition at the Brazilian Pavilion at La Biennale Arte 2022. Courtesy of the artist and Manifesta 15 Barcelona Metropolitana. Photo: Cecília Coca
lms-InBetweenArtFilms-banner-sito4
Jonathas de Andrade, Olho da Rua [Out Loud], 2022. Still from video. Presented at Manifesta 15, Barcelona Metropolitana, 2024. Commissioned and produced by Fondazione In Between Art Film on the occasion of the exhibition “Penumbra” at the Complesso dell’Ospedaletto, Venice, 2022. Courtesy of the artist and Fondazione In Between Art Film
lms-InBetweenArtFilms-banner-sito4
Thick Atmospheres symposium at Teatrino di Palazzo Grassi, Venice, on the occasion of the exhibition “Nebula.” Image: Chrissie Iles and Lucia Aspesi. Photo: Matteo De Fina
lms-InBetweenArtFilms-banner-sito4
Catalogue of the exhibition Nebula published by Marsilio Arte. Edited by Bianca Stoppani with Leonardo Bigazzi and Alessandro Rabottini. Texts by Karen Archey, Natalie Bell, Leonardo Bigazzi, Beatrice Bulgari, Nasrin Himada, Emily LaBarge, Paolo Pecere, Ippolito Pestellini Laparelli, Alessandro Rabottini, Philippa Snow, Bianca Stoppani, Xiaoyu Weng, and Isobel Whitelegg. Photo: Giacomo Bianco
lms-InBetweenArtFilms-banner-sito4
Andro Eradze, Flowering and Fading, 2024. Still from video. Co-produced by Lo schermo dell’arte and Fondazione In Between Art Film within the context of VISIO Production Fund 2024. Courtesy of the artist, Lo schermo dell’arte, Fondazione In Between Art Film, and SpazioA Pistoia
lms-InBetweenArtFilms-banner-sito4
Screening program Nebula Expanded at Museo MAXXI, Rome. With works by Basel Abbas and Ruanne Abou-Rahme, Giorgio Andreotta Calò, Saodat Ismailova, Basir Mahmood, Cinthia Marcelle and Tiago Mata Machado, Diego Marcon, Ari Benjamin Meyers, and Christian Nyampeta. Image: Basir Mahmood, Monuments of Arrival and Return, 2016. Still from video. Courtesy of the artist
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Looking at our times through the prism of the moving image.

 

At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.

NEWS

“We live in a particularly hypocritical and relatively terrifying era when it comes to human dignity. A large part of liberal societies is rediscovering (or pretending to rediscover) that Capital pays itself on the back of the beast in man. 

With ‘L’Mina,’ I wanted to bear witness to a contemporary social reality: a working-class group takes action in the midst of our current crisis. If my steps lead me to the city of Jerada, it was certainly not to compose a miserable or complacent dirge in tribute to the courage of Moroccan workers. I also wanted to steer away from the trap of aestheticising, and avoid having form take over substance, the reality and issues the film seeks to convey.

I constantly asked myself how to make form embrace substance without one stifling the other, and without establishing a hierarchy between the perspective and what we see.” — Randa Maroufi

Tap the link in bio to continue reading @gregorycoutaut’s interview to Randa Maroufi on the occasion of the presentation of her latest film “L’mina” (2025), which we co-produced, and which has been awarded with the Leitz Cine Discovery Prize for Short Film from the 75th Semaine de la Critique in Cannes.

Video credit: @randa_maroufi and @shatamataproduction
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