Looking at our times through the prism of the moving image.
At Fondazione In Between Art Film, we foster dialogues between video, cinema, and performance, supporting artists and institutions whose visions cross the boundaries between creative disciplines.
NEWS
The full schedule of ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ is out now via the link in bio
Friday, 18.10.2024
🕤 Morning session
09:30 – 10:00 𝘊𝘶𝘳𝘢𝘵𝘰𝘳𝘪𝘢𝘭 𝘪𝘯𝘵𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘰𝘯
Bianca Stoppani, editor, Fondazione In Between Art Film
10:00 – 11:00 𝘐𝘳𝘳𝘦𝘤𝘰𝘯𝘤𝘪𝘭𝘢𝘣𝘭𝘦 𝘌𝘤𝘩𝘰𝘦𝘴: 𝘈 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯 𝘰𝘯 𝘵𝘩𝘦 𝘖𝘤𝘤𝘢𝘴𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘞𝘰𝘳𝘬 𝘰𝘧 𝘉𝘢𝘴𝘦𝘭 𝘈𝘣𝘣𝘢𝘴 𝘢𝘯𝘥 𝘙𝘶𝘢𝘯𝘯𝘦 𝘈𝘣𝘰𝘶-𝘙𝘢𝘩𝘮𝘦
Eleni Ikoniadou, reader in Digital Culture and Sonic Arts, Royal College of Art, London
Mike Sperlinger, head of programme, Office of Contemporary Art Norway
11:00 – 12:00 𝘈𝘭𝘸𝘢𝘺𝘴 𝘙𝘦𝘩𝘦𝘢𝘳𝘴𝘪𝘯𝘨, 𝘕𝘦𝘷𝘦𝘳 𝘗𝘦𝘳𝘧𝘰𝘳𝘮𝘪𝘯𝘨
Ari Benjamin Meyers, artist
Krist Gruijthuijsen, curator and critic
🕝 Afternoon session
14:30 – 15:00 𝘍𝘰𝘤𝘶𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘤𝘢𝘵𝘢𝘭𝘰𝘨𝘶𝘦 𝘧𝘰𝘳 𝘕𝘦𝘣𝘶𝘭𝘢
Leonardo Bigazzi, curator, Fondazione In Between Art Film
Lorenzo Mason Studio, Designers
Alessandro Rabottini, artistic director, Fondazione In Between Art Film
Bianca Stoppani, editor, Fondazione In Between Art Film
15:00 – 16:00 𝘈𝘳𝘦 𝘸𝘦 Inside 𝘵𝘩𝘦 𝘊𝘳𝘢𝘵𝘦𝘳 𝘕𝘰𝘸?
Saodat Ismailova, artist
Valentine Umansky, curator for International Art, Tate Modern, London
16:00 – 17:00 𝘚𝘱𝘦𝘤𝘵𝘳𝘢𝘭 𝘎𝘶𝘪𝘥𝘦𝘴: 𝘊𝘰𝘯𝘴𝘵𝘦𝘭𝘭𝘢𝘵𝘪𝘰𝘯𝘴 𝘰𝘧 𝘓𝘪𝘴𝘵𝘦𝘯𝘪𝘯𝘨 𝘢𝘯𝘥 𝘙𝘦𝘢𝘥𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘞𝘰𝘳𝘬 𝘰𝘧 𝘊𝘩𝘳𝘪𝘴𝘵𝘪𝘢𝘯 𝘕𝘺𝘢𝘮𝘱𝘦𝘵𝘢
Amal Khalaf, director, Cubitt, London; curator at large, Serpentine, London; co-curator, Sharjah Biennial 16
Helena Kritis, chief curator, WIELS Centre for Contemporary Art, Brussels
🕠 Evening session
17:30 – 18:30 𝘍𝘰𝘳𝘮𝘴 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘋𝘪𝘴𝘵𝘢𝘯𝘵 𝘗𝘭𝘢𝘤𝘦𝘴
Basir Mahmood, artist
Nav Haq, associate director, M HKA – Museum of Contemporary Art Antwerp
18:30 – 20:00 𝘌𝘷𝘢𝘯𝘦𝘴𝘤𝘦𝘯𝘵 𝘛𝘳𝘢𝘤𝘦𝘴 𝘚𝘪𝘵𝘶𝘢𝘵𝘦𝘥 𝘪𝘯 𝘰𝘶𝘳 𝘛𝘪𝘮𝘦: 𝘖𝘯 𝘵𝘩𝘦 𝘌𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘢𝘭 𝘈𝘴𝘱𝘦𝘤𝘵 𝘰𝘧 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦𝘴
2050+/Ippolito Pestellini Laparelli, architect, curator, founder of 2050+
Erika Balsom, reader in Film and Media Studies, King’s College, London
Chrissie Iles, Anne and Joel Ehrenkranz curator, Whitney Museum of American
Art, New York
Moderated by Lucia Aspesi, curator, Pirelli HangarBicocca, Milan
The full schedule of ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ is out now via the link in bio
Thursday, 17.10.2024
🕤 Morning session
09:30 – 10:00 𝘊𝘶𝘳𝘢𝘵𝘰𝘳𝘪𝘢𝘭 𝘪𝘯𝘵𝘳𝘰𝘥𝘶𝘤𝘵𝘪𝘰𝘯
Bianca Stoppani, editor, Fondazione In Between Art Film
10:00 – 11:30 𝘜𝘯𝘤𝘦𝘳𝘵𝘢𝘪𝘯 𝘎𝘢𝘻𝘦𝘴: 𝘛𝘩𝘦 𝘈𝘯𝘵𝘩𝘳𝘰𝘱𝘰𝘤𝘦𝘯𝘦 𝘪𝘯 𝘈𝘳𝘵𝘴 𝘢𝘯𝘥 𝘚𝘤𝘪𝘦𝘯𝘤𝘦𝘴
Cristina Baldacci, associate professor, Ca’ Foscari University, Venice
Matteo Pasquinelli, associate professor, Ca’ Foscari University, Venice
Giulia Rispoli, assistant professor and senior researcher, Ca’ Foscari University, Venice
Moderated by Francesco Spampinato, full professor, University of Bologna
11:30 – 12:30 𝘞𝘩𝘦𝘯 𝘵𝘩𝘦 𝘙𝘦𝘢𝘭 𝘍𝘭𝘰𝘰𝘥𝘴 𝘵𝘩𝘦 𝘐𝘮𝘢𝘨𝘪𝘯𝘢𝘳𝘺
Giorgio Andreotta Calò, artist
Mara Ambrožič Verderber, executive and artistic director, Piran Coastal Galleries
🕝 Afternoon session
14:30 – 15:00 𝘍𝘰𝘤𝘶𝘴 𝘰𝘯 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘕𝘦𝘣𝘶𝘭𝘢
Leonardo Bigazzi, curator, Fondazione In Between Art Film
Alessandro Rabottini, artistic director, Fondazione In Between Art Film
15:00 – 16:00 𝘍𝘳𝘪𝘵𝘻
Diego Marcon, artist
Fatima Hellberg, director, Bonner Kunstverein; designated director, mumok, Vienna
16:00 – 17:00 𝘋𝘶𝘴𝘵 𝘕𝘦𝘷𝘦𝘳 𝘚𝘭𝘦𝘦𝘱𝘴: 𝘈𝘤𝘤𝘶𝘮𝘶𝘭𝘢𝘵𝘪𝘰𝘯 𝘪𝘯 𝘊𝘪𝘯𝘵𝘩𝘪𝘢 𝘔𝘢𝘳𝘤𝘦𝘭𝘭𝘦’𝘴 𝘢𝘯𝘥 𝘛𝘪𝘢𝘨𝘰 𝘔𝘢𝘵𝘢 𝘔𝘢𝘤𝘩𝘢𝘥𝘰’𝘴 𝘗𝘳𝘢𝘤𝘵𝘪𝘤𝘦
Ana Texeira Pinto, associate professor, Braunschweig University of Art
Isobel Whitelegg, associate professor, School of Museum Studies, University of Leicester
🕠 Evening session
17:30 – 19:00 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦𝘴, 𝘈𝘳𝘵, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘗𝘰𝘭𝘪𝘵𝘪𝘤𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘎𝘢𝘻𝘦: 𝘞𝘰𝘮𝘦𝘯 𝘈𝘳𝘵𝘪𝘴𝘵𝘴 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘵𝘩𝘦 1960𝘴 𝘢𝘯𝘥 1970𝘴
Maria Alicata, art historian, curator; adjunct professor, Sapienza University of Rome
Sharon Hecker, adjunct professor, Università Cattolica del Sacro Cuore, Milan
Carla Subrizi, professor and director of the School of Specialization in Historical Artistic Heritage, Sapienza University of Rome; president of Fondazione Baruchello
Paola Ugolini, art critic; curator, Fondazione In Between Art Film
Moderated by Lucrezia Calabrò Visconti, chief curator, Pinacoteca Agnelli, Turin
19:00 – 20:00 𝘓𝘢𝘣𝘰𝘳, 𝘏𝘪𝘦𝘳𝘢𝘳𝘤𝘩𝘺 𝘢𝘯𝘥 𝘏𝘺𝘱𝘦𝘳𝘮𝘢𝘴𝘤𝘶𝘭𝘪𝘯𝘪𝘵𝘺 𝘸𝘪𝘵𝘩𝘪𝘯 𝘕𝘪𝘨𝘦𝘳𝘪𝘢𝘯 𝘊𝘶𝘭𝘵𝘶𝘳𝘦
Karimah Ashadu, artist
Mark Rappolt, editor-in-chief, ArtReview/ArtReview Asia
Congratulations to our President and Founder Beatrice Bulgari for starting the new project @eolofilmproductions
Eolo Film Productions continues the work initiated by In Between Art Film, the production company that operated from 2014 to 2019 and has produced documentaries, audiovisual installations, performances, and feature-length films.
The last productions include “Looking for Oum Kulthum” and “Land of Dreams” by Shirin Neshat; “VB82” by Vanessa Beecroft; “Where is Rocky II?” by Pierre Bismuth; “The Lack” and “Welcome Palermo” by Masbedo; “Napoli ’44” by Francesco Patierno; “I Diari di Angela” by Yervant Gianikian and Angela Ricci Lucchi; “Innocence of Memories” by Grant Gee and Orhan Pamuk; “Monelle” by Diego Marcon, and “Molly Bloom” by Chiara Caselli.
Recently, Eolo Film Productions has produced the documentary “Tenga Duro Signorina! Isabella Ducrot Unlimited,” directed by Monica Lisa Stambrini, which was presented at the 2024 Giornate degli Autori, an independent section of the 81st Venice International Film Festival and a new project that will be unveiled in the following days at the 19th edition of the Rome Film Festival
Artists Cinthia Marcelle (@cimarcelle) #TiagoMataMachado tell us more about “Primitive Accumulation” (2024), the work we commissioned and produced for #NebulaVenice, which is on view at the Complesso dell’Ospedaletto until November 24, 2024
Cinthia Marcelle (1974, Brazil) and Tiago Mata Machado (1973, Brazil) are artists and filmmakers who live and work respectively in São Paulo and Belo Horizonte. Their works have been exhibited in museums, biennials, and institutions including Gallerie d’Italia, Turin; Logan Center for the Arts, Chicago; Pinacoteca de São Paulo; MAXXI, Rome; Biennale Jogja, Yogyakarta, and Biennale de Lubumbashi (both in 2017); Biennale de l’Im-age en Mouvement, Geneva (2016); KIASMA, Helsinki; Istanbul Biennial(2013); New Museum Triennial, New York (2012); Rochester Art Center; and Bienal de São Paulo (2010), among others. They worked together on a project that Marcelle presented as part of her representation of Brazil at the Biennale Arte 2017, which received a special mention.
Watch the full interview via the link in bio
Video credit: @daviderapp
Artist Christian Nyampeta (@christiannyampeta) tells us more about “When Rain Clouds Gather” (2024), the work we commissioned and produced for #NebulaVenice, which is on view at the Complesso dell’Ospedaletto until November 24, 2024
Christian Nyampeta is an artist who lives and works in New York, London, the Netherlands, and Rwanda. Nyampeta is a convenor of the NyanzaWorking Group of ARAC – Another Roadmap School, which participated in documenta fifteen. His recent exhibitions were presented in institutions such as Shanghai Biennale (2023); Carnegie International, Pittsburgh; Istanbul Biennial; and Manifesta 14, Pristina (all in 2022). In 2019, Nyampeta was awarded with the Art Prize Future of Europe by the Museum ofContemporary Art, Leipzig, and the European Union Prize at the Bamako Encounters – African Biennial of Photography. Nyampeta was the convener of the Boda Boda Lounge 2022, a trans-African film and video art festival co-initiated by Centre d’Art Waza, Lubumbashi. Nyampeta is also a Member of Faculty at the MA Curatorial Practice at the School of Visual Arts, NewYork, where he teaches Performance. Nyampeta is a member of the Board of Directors at the Storefront for Art and Architecture in New York, and aboard member of November magazine.
Watch the full interview via the link in bio
Video credit: @daviderapp
Introducing Isobel Whitelegg (@belisowhitelegg), who will participate in ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ, the symposium accompanying the group exhibition #NebulaVenice and taking place at the Teatrino di Palazzo Grassi, Venice, on October 17–18, 2024
Isobel Whitelegg is a curator, writer, and historian specialized in art and artists in and from Latin America, especially Brazil, and the history and historiography of contemporary art and its institutions. Exhibitions curated include “Cinthia Marcelle: A Conjunction of Factors” at MACBA, Barcelona; “Equipe3 1973/2014” at Museu da Cidade de São Paulo; “Geraldo de Barros: What Remains” at The Photographers Gallery, London; and “This Same World Over” at Camberwell College of Arts, London. Recent publications include “Histories of the Present: Proposições Contemporâneas at the 14th Bienal de São Paulo,” and “How to Talk About Biennials That Don’t Exist: Reassembling the Twelfth São Paulo Biennial (1973)” (Tate Papers). In 2016, she joined the school of Museum Studies at @uniofleicester, where she teaches in the MA in Art Museum and Gallery Studies.
ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ is curated by Bianca Stoppani (@abinoppst) and organized in collaboration with @palazzo_grassi, Pinault Collection Venezia
Coordinated by Chiara Nicolini, Giovanni Giacomo Paolin
Educational partners: Department of the Arts, @unibo; Department of Philosophy and Cultural Heritage, @cafoscari; and @curatorial.school
Media Partner: @moussemagazine
Visual identity: @lorenzomasonstudio
Introducing Valentine Umansky (@valentine.umansky), who will participate in ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ, the symposium accompanying the group exhibition #NebulaVenice and taking place at the Teatrino di Palazzo Grassi, Venice, on October 17–18, 2024
Valentine Umansky is curator for International Art, @tate, where she oversees the museum’s time-based media programme, co-chairs its Photography Acquisitions Committee and chairs its European Acquisition Circle. She previously held positions at the International Center of Photography and the MoMA, in New York, at the Contemporary Arts Center, in Cincinnati, and co-curated the 2018 LagosPhoto Festival. At Tate Modern, recent exhibitions and projects include displays of Belkis Ayón, Nikita Gale, Tourmaline, Cinthia Marcelle, BuhlebezweSiwani, Dineo Seshee Bopape, and Rosa Barba. In addition, Umansky sits on the selection committee of the Villa Medici Film Festival. In 2024–25, she is curating the Gjon Mili International Exhibition, Pristina, and EMAP (Ewha Media Art Presentation) in Seoul.
ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ is curated by Bianca Stoppani (@abinoppst) and organized in collaboration with @palazzo_grassi, Pinault Collection Venezia
Coordinated by Chiara Nicolini, Giovanni Giacomo Paolin
Educational partners: Department of the Arts, @unibo; Department of Philosophy and Cultural Heritage, @cafoscari; and @curatorial.school
Media Partner: @moussemagazine
Visual identity: @lorenzomasonstudio
Introducing Paola Ugolini (@ugolinip), who will participate in ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ, the symposium accompanying the group exhibition #NebulaVenice and taking place at the Teatrino di Palazzo Grassi, Venice, on October 17–18, 2024
Paola Ugolini is an art critic and, since 2021, a curator at Fondazione In Between Art Film. She is visiting professor of Curatorial Practices and Gender Studies at Università Roma Tre; John Cabot University, Rome; NABA, Rome; Accademia di Belle Arti di Brera, Milan; Accademia di Belle Arti di Roma; and Università IUAV di Venezia. Since 2017, she worked as curator for the female Dior fashion shows and has curated exhibitions at numerous institutions worldwide. One of the most recent is “Cosmic Garden,” organized by Chanakya Foundation and Karishma Swali as a collateral event of Biennale Arte 2024. In 2022, she published “Artists and feminism in Italy. A non-hegemonic way to look at Art History” (Christian Marinotti Edizioni).
ᴛʜɪᴄᴋ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ is curated by Bianca Stoppani (@abinoppst) and organized in collaboration with @palazzo_grassi, Pinault Collection Venezia
Coordinated by Chiara Nicolini, Giovanni Giacomo Paolin
Educational partners: Department of the Arts, @unibo; Department of Philosophy and Cultural Heritage, @cafoscari; and @curatorial.school
Media Partner: @moussemagazine
Visual identity: @lorenzomasonstudio